Here to make audiences laugh, but there’s also ample food for thought. Seem to me more like a Very Special Episode of a sitcom, albeit without theĮxcessive sententiousness that often accompanies those stories. More difficult subject matter even as it retained its overall tone, it began to Jewish ball, and particularly whether one of them will be asked to the dance byĪ wealthy young man of her acquaintance.) But once the play began to touch on Involves whether the younger female characters will attend Ballyhoo, an annual (Per the title, the “primary” conflict here This production, however - which follows a Jewishįamily in 1939 Atlanta, Georgia - has very much the flavor of a sitcom, with aĬast of somewhat quirky characters and humorous, if seemingly trivial, That revelation I would have acknowledged the stellar set and the faultless Not to say that I disliked the production before that even before coming to
Watched The Last Night of Ballyhoo, written by Alfred Uhry and directedīy Ilene Chalmers, at the Bowie Community Theatre, I had a thought somewhere duringĪct I, Scene 4: “This play really is about something.” This is
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